When you hear the Screaming Headless Torsos on stage, its like you are listening to the past, present and future of jazz all at the same time.
Posts Tagged ‘Afro-Futurism’
Week in Review (Jazz in the City)
Sunday, September 3rd, 2017Street gaze (part 41)
Friday, October 3rd, 2014
The Urban Video Project screened Issac Julien's Western Union: Small Boats at Everson Plaza.
Hanging on a String
Thursday, October 24th, 2013Composer Daniel Bernard Roumain, is part of a new collective of musicians (think DJ Spooky and Dr. Dre) who push the envelope and explore uncharted territory, forge historic collaborations, and basically are re-writing the rules of what it means to be a performer/producer and artist.
Roumain talked to us before his performance at the Community Folk Art Center’s series exploring music from the African Diaspora.
The Sound, Fusion & Future
Sunday, September 22nd, 2013
DJ Spooky In Concert: Sonification
So this is what edge-craft sounds like…
After seeing the DJ Spooky concert we are convinced he was influenced by Pharaoh Sanders or Sun Ra. His futuristic, genre-bending show took the definition of mixing to the far reaches of anything Hip Hop has seen. In a toned-down exhibition that included a commentary/listening party, DJ Spooky blending the sounds of nature with club beats and the live musicianship of the Central New York Jazz Orchestra (including Brett Zvacek and Joe Davoli).

The Future of the Mix: DJ Spooky on stage with musicians for a live sample/mix.
Found in Translation
Friday, June 21st, 2013We know the semester is over, but how cool is it that historian/cultural critic Greg Tate, a professor at Brown University, used two Syracusans as a reference for his course this Spring on Afro-futurism? Tate gives the Cuse an indirect shout-out by talking about singer Grace Jones and writer George S. Schuyler. And speaking of academics, we wonder how many students know that Schuyler’s papers are housed at Bird Library at Syracuse University (special collections).